Morgane Tschiember
Lives and works in Paris.
She is represented in France by Galerie Loevenbruck
Collection Chasse-Spleen
In Morgane Tschiember’s practice, there is a pragmatic matter painting at work. They are the qualities inherent to the materials to which she is attached and that inspire her. The execution stems from the conception.
In the wine cellar, the glass bulb and the wooden form mutually affect one another. The glass that was burning leaves the carbonised trace of when it was removed once cold. The wood lets its hollow edges influence the shape of the glass.

In the park, the concrete plaques arranged on the ground and the metal structure bring to mind geometric abstraction whose organisation is contradicted by the soft, sluggish pink parasitical shapes that cling to the metal structure like molluscs to their rock: bulbs of blown glass.
With Tschiember, the conception always stems from the execution. This empiricism has become the drive of her research but also the first sensation when looking at her work. Here, no theory is imposed upon the spectator; we are guided by a sensorial, plastic, formal state, and only the questions inherent to our presence in front of the artwork come to mind: questions of weight, strength, surface, colour connections, relationships between dark and light, etc.